The Critical Technology Podcast


Conversations from the frontlines and behind the scenes of sociotechnical research

Critical Technology explores new and emerging research into the social, cultural, and political implications of new/recent technological developments, in the form of one-on-one interviews with the researchers and authors of the studies themselves.

In each episode, Sara Grimes, Director of the KMDI will introduce a new academic publication or study that she thinks will be game changer in how we understand a particular technological application or innovation — its role, meaning, and impact on our lives. She will delve into the specifics of that publication/study with the author/lead researcher themselves, providing listeners with a firsthand account and insight into the work, its major findings and most wide-reaching conclusions, as well as how it fits within both the broader academic literature and our common knowledge about the technology examined.

Format: One-on-One Interviews

Frequency: Bi-monthly

Length: 30-35 minutes

Trailer: Introducing the Critical Technology podcast

Episode 1: Platforms and Cultural Production

The Platforms and Cultural Production Project explores the recent shift of the cultural industries toward production and distribution systems embedded in digital platforms. Digital platforms in this context includes well known examples, like Facebook, Apple and Amazon, as well as industry-specific systems used predominantly by media/cultural producers (such as Unity for game development) that share many of the same properties and functions. The project examines the rise in prominence of these various digital platforms against the backdrop of wider transformations in the technologies, cultures, and political economies of digital media, through case studies from North America, Western Europe, Southeast Asia and China.

Launched in 2017, with funding from the Social Sciences and Humanities Research Council of Canada (SSHRC), this game changer research collaboration is co-led by three Principal Investigators: 

Dr. Brooke Erin Duffy, Department of Communication, Cornell University

Dr. Thomas Poell , Faculty of Humanities, University of Amsterdam

Dr. David Nieborg , Department of Arts, Culture and Media and Faculty of Information, University of Toronto

Using an approach that combines media studies, political economy of communication, and cultural studies, the Platform and Cultural Production research team is tracking how the rise and spread of platforms is changing the cultural industries, and the growing impact of platforms on our everyday lives. In this episode, Sara chats with the team’s expert on the political economy of platforms, Dr. David Nieborg (@gamespacenl).

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Suggested Readings

Social Media + Society volume 6, issue 3 (July – Sept. 2020) Special Issue: Platforms and Cultural Production

Social Media + Society volume 5, issue 4 (Oct.-Dec. 2019) Special Issue: Platformization of Cultural Production

Coming Soon: Platforms and Cultural Production (the book), Polity Press, Sept. 2021

Episode 2: Educational Technologies in Refugee Camps

The Portraits of Education Change: Redefining Pedagogy & Technology in Refugee Camps project investigates the social and cultural conditions of how technology is used to mediate, facilitate, or support teaching and learning by students, teachers and the broader communities living in refugee camps. It seeks to fill an important gap in our knowledge of the human experience of teaching and learning in these contexts, where significant resources are going into educational technology as part of humanitarian aid and development funders’ response to the global youth refugee crisis. This project builds on the research team’s previous work, which shows that for refugees living in camps, a complex array of factors can make a particular technology valuable, and that teaching and learning can happen in diverse, social, peer-to-peer, and unexpected ways. Portraits of Education Change applies a participatory research design to identify the roles technology plays in supporting teaching and learning in the lived experiences and daily lives of women and men in the Kakuma (Kenya) and Dzaleka (Malwai) refugee camps.  

The project builds on previous research conducted since 2011 across several different studies. In 2020, it received funding in the form of a Connaught New Researcher Award from the University of Toronto. The project is led by: 

Dr. Negin Dahya, Assistant Professor in the Institute of Communication, Culture, Information and Technology and at the Faculty of Information, University of Toronto. 

in collaboration with: 

Dr. Sarah Dryden-Peterson, Harvard Graduate School of Education, Harvard University.

Dr. Olivier Arvisais, Département de didactique de la Faculté des sciences de l’éducation de l’Université du Québec à Montréal.

Portraits of Education Change combines education and media studies, feminist research methods, postcolonial theory, and critical race theories to identify the informal and emergent pedagogies that make the adoption of technologies by refugees in camps both possible and sustainable. In this episode, Sara chats with the project’s Principal Investigator and expert on digital media and learning, Dr. Negin Dahya (@MsNegin).

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Suggested Readings

Dahya, Negin, Douhaibi, Dacia, Arvisais, Olivier, & Dryden-Peterson, Sarah. (2019). Social support networks, instant messaging, and gender equity in refugee education. Information, Communication & Society. VOL. 22, NO. 6, 774-790

Dahya, N., and Sarah Dryden-Peterson. 2016. Tracing Pathways to Higher Education for Refugees: The Role of Virtual Support Networks and Mobile Phones for Women in Refugee Camps. Comparative Education (December): 1–18.

Sarah Dryden-Peterson, Negin Dahya, & Elizabeth Adelman (2017). Pathways to Educational Success Among Refugees: Connecting Locally and Globally Situated Resources. American Educational Research Journal, vol. 54, issue 6, 1011-1047.

Episode 3: The City as Platform

The City as Platform project is an interdisciplinary research collaboration aimed at understanding the complex intertwining of artificial intelligence (AI), big data, and the surveillance society, as they converge and manifest within the design and lived experience of smart cities and other built environments.  Key questions driving this project include “how do we understand the citizen’s right to the city,” how do such rights manifest within smart cities, and how can more equitable, accessible, and generative futures be designed and realized. The project brings together industry, government, and citizens through workshops and immersive experiences that invite a reconfiguration of smart city urban design, and a transformation of techno-centric to human-centered design practices. The team uses a combination of critical data analytics and ethnographic fieldwork to conduct research and foster dialogue across three cities: London, UK, New York, US, and Toronto, Canada. 

Launched in 2013, with funding from the Social Sciences and Humanities Research Council of Canada (SSHRC), this game changer research collaboration is co-led by three Principal Investigators:  

Dr. Beth Coleman, Associate Professor in the Institute of Communication, Culture, Information and Technology and at the Faculty of Information, University of Toronto.  

Dr. Leslie Regan Shade, Professor at the Faculty of Information, University of Toronto. 

Dr. Charles L. A. Clarke, Professor with the Cheriton School of Computer Science, University of Waterloo.  

The project builds on theories developed by Dr. Coleman, which explore how AI systems and algorithms are reshaping the design and function of the technologies that surround us, and the impact this has on our lives, our relationships with the built environment, and our rights as citizens. This work expands on ideas first presented in Dr. Coleman’s book Hello Avatar (2011, The MIT Press), which explored the many modes of identity that emerge as we move between offline and virtual spaces. In City as Platform, Coleman delves into the aesthetic, civic and human dimensions of our new reality, shared with ubiquitous AI-driven technologies. In this episode, Sara chats with Dr. Coleman (@drbethcoleman) about some of the terms and concepts that are central to her important and timely theoretical contributions.

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Suggested Readings

Coleman B. (2019). Bauhaus generative: Avant-garde to algorithmic aesthetics in three chairs. In L. Forlano, M. W. Steenson & M. Ananny (Eds), Bauhaus Futures (pp. 289-300). The MIT Press.

Coleman B. (2016). Let’s get lost: Poetic city meets data city. In Eric Gordon & Paul Mihailidis (Eds.), Civic Media: Technology, Design, Practice (pp.267-294). The MIT Press.

Coleman B. (2019). Technology of surround. Journalism & Mass Communication Quarterly, vol. 96, issue 2, pp. 351-366. 

Episode 4: Distributed Blackness

Published just last year (2020, New York University Press), Dr. Andre Brock Jr’s Distributed Blackness: African American Cybercultures has already become a highly influential, widely cited, must read text for anyone interested in digital culture and technology. Through a theoretically rich and methodologically innovative analysis, that draws on critical race theory, critical discourse analysis, science and technology studies and history, Brock positions Blackness at the centre of Internet technoculture, its technological designs and infrastructures, its political economic underpinnings, its cultural significance and its emergent informational identities. Throughout this analysis, Brock explores how race and racism have always shaped how digital technologies are designed, used, depicted, and envisioned; while uncovering the vibrant, and oftentimes joyful, cultural commonplaces, diverse gatherings, and Black informational identities central to Black technoculture and digital experience. 

Dr. Brock is an Associate Professor of Black Digital Studies in the School of Literature, Media, and Communication at the Georgia Institute of Technology. His interdisciplinary scholarship includes numerous published journal articles on racial representations in videogames, Black women and blogs, whiteness, Blackness, and digital technoculture, data ethics, as well as ground-breaking research on Black Twitter. In this episode, Sara chats with Dr. Brock (@DocDre) about some of the key terms and concepts introduced in his book, Distributed Blackness, his theoretical framework, and his notable methodological approach to studying and theorizing the information society.   

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Suggested Readings

André Brock. (2020, September 14) Distributed Blackness: African American Cybercultures [Video]. Georgia Tech Library.

Brock, A. (2016). Critical technocultural discourse analysis . New Media & Society, 20(3), 1012–1030.

Brock, A. (2015). Deeper data: a response to boyd and Crawford. Media, Culture & Society, 37(7), 1084–1088.

Brock, A. (2011). “When Keeping it Real Goes Wrong”: Resident Evil 5, Racial Representation, and Gamers. Games and Culture, 6(5), 429–452.

Episode 5: Transgressive/Toxic Play

Digital gaming is a vital source of fun, relaxation, learning and community for players of all ages and from around the world.  During the past year, the social dimensions of digital gaming became the focus of renewed attention, as multiplayer games such as Fortnite and Among Us provided millions of players with engaging virtual forums for connecting with friends and loved ones during the stay-at-mandates and closures. Just like in physical contexts, however, not all of the social interactions that occur in digital games are positive and fun. Incidents of in-game trolling, harassment, doxing and other harmful behaviours are well documented in the literature and widely covered by the news media as evidence of a “toxic gamer culture.” An emerging approach to understanding this “dark” side of digital gaming is through the lens of transgressive play, which is explored in depth and from a range of disciplinary perspectives in the new edited collection Transgression in Games and Play (2019, The MIT Press). A key contribution to this discussion is found in the works of Dr. Kelly Boudreau, who positions toxic gameplay along a continuum with more mundane forms of problematic play and behaviour in order to better understand its emergence and its function within players’ lives and identities. 

Dr. Kelly Boudreau is an Associate Professor in Interactive Media Theory & Design at Harrisburg University of Science and Technology (Pennsylvania). She is a sociologist and game scholar, and an expert on multiplayer game players and digital game cultures. Her work in this area is forging a new framework for studying transgressive behaviours in games, and in the surrounding games culture, as tactics that are commonly employed by players for boundary-keeping and identity maintenance. In this episode, Sara chats with Dr. Boudreau (@Velixious) about her chapter, “Beyond fun: transgressive gameplay, toxic and problematic player behaviour as boundary keeping,” as well as some of the key concepts and approaches she applies in her research, and the meaning and prevalence of problematic play.

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Suggested Readings

Boudreau, K. (2019). Beyond fun: transgressive gameplay, toxic and problematic player behaviour as boundary keeping. In K. Jorgensen and F. Karlson (Eds.) Transgression in Games and Play. MIT Press: Cambridge, MA.

Boudreau, K. (2016). Managing mayhem from the top: gaming companies and communities [part of Herding Trolls, Legitimately: The Ethics of Online Community Management], presented at re:publica 10 Conference, July 12, Berlin, Germany. [Video]. YouTube. Starts at app 13:40. 

Busch, T., Boudreau, K., & Consalvo, M. (2015). Toxic Gamer Culture, Corporate Regulation, and Standards of Behavior among Players of Online Games. In S. Conway & J. deWinter (Eds.) Video Game Policy: Production, Distribution, and Consumption. New York: Routledge.  

Episode 6: Creativity Everything

Starting in the very first weeks of the global pandemic, a steady stream of news stories have revealed a fascinating increase in crafting, making, art work and various other forms of hands-on creative practice, as one response to the closures and stay-at-home orders. From building COVID-gardens and sewing home-made facemasks, to singing Sea Shanties on TikTok, many of us have turned to creative activities to pass the time, entertain our children, stay connected, or relieve some of our stress, loneliness, and general COVID fatigue. Academic research from a range of disciplines shows that engaging in hands-on creative activities does indeed have a myriad of benefits for individual health and well-being, and for social cohesion. According to Professor David Gauntlett, world renowned expert on creativity, the mere act of doing something creative in itself has enormous value: no matter the medium you use, and no matter how ‘good’ the output is. Creativity, he says, is something you do, not something that can be measured.  

Dr. David Gauntlett is the Canada Research Chair in Creativity in the School of Creative Industries at Ryerson University in Toronto, where he is also the founder and head of the Creativity Everything Lab. His scholarship explores creative processes and the cultures that emerge around making and exchanging creative content, both online and off, by both professionals and hobbyists. Dr. Gauntlett’s cross-sector research links social analysis of the value of creative engagement with work relating to the media and creative industries, and he has worked with a number of the world’s leading creative organizations. He is the author or editor of 13 books, including Creative Explorations: New Approaches to Identities and Audiences (2007, Routledge), Making Media Studies: The Creativity Turn in Media and Communications Studies (2015, Peter Lang), and Making is Connecting: The Social Power of Creativity, from Craft and Knitting to Digital Everything (2nd ed. 2018, Polity Press). In this episode, Sara chats with Dr. Gauntlett (@davidgauntlett) about his upcoming book, Creativity: Seven Keys to Unlock Your Creative Self, and about his ground-breaking, deeply inclusive approach to studying and doing creativity. 

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Suggested Readings

Gauntlett, D. (2007). Creative Explorations: New Approaches to Identities and Audiences. Routledge Press: Abingdon, England/New York.

Gauntlett, D. (2018). Making is Connecting: The Social Power of Creativity, from Craft and Knitting to Digital Everything (2nd ed.). Polity Press: Oxford/New York. 

Gauntlett, D. (2018). Creativity Everything talk in 12 mins. Summary of a talk presented at the Power Plant Gallery, November 15, Toronto, ON. [Video]. Youtube.

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